BODYSONNET Repertoire

Moscelyne ParkeHarrison (she/her) is a choreographer, director, and dance artist. She is the former Associate Artistic Director and Resident Choreographer of Post:ballet (2022-25), and Artistic Director of NYC based dance company BODYSONNET (2019-present). She is a graduate of The Juilliard School with the Joseph W. Polisi Artist as Citizen Award. She recently choreographed Magma, an evening length immersive dance theater show at SF’s premiere nightclub, The Midway.

In July 2025 she was asked to serve as Interim Rehearsal Director of AXIS Dance Company, one of the nation’s most acclaimed ensembles of disabled, non-disabled, d/Deaf and neurodiverse performers, whom she has collaborated with since 2023 as a teacher and performing artist.

Moscelyne has received support from Anthony Quinn Foundation, New England Foundation for the Arts, Adobe, and MassCultural Council, and commissions from The Juilliard School, Skidmore College, Metropolis Ensemble, Merde Project, LINES Training Program, and Post:ballet. She has taught at ODC, The Juilliard School, Joffrey NYC, Gibney, LINES, Steps on Broadway, Broadway Dance Center, UC Davis, UC Berkeley, and Yale University. Moscelyne’s dance films have been featured at The San Francisco Dance Film Festival, Dance Camera West, and ADF’s Movies By Movers.

Repertoire

Moscelyne will teach excerpts from Magma, lauded as ‘hot and dangerous’ (SFClassical Voice), ‘wildly ambitious’ (SFChronicle), and a ‘modern day masterpiece’ (SF Arts) premiered January 2025 at The Midway, a multi-room nightclub in SF. The work will be restaged on the East Coast 2026-2028.

Creative Process

Mio Ishikawa (she/her), Japanese performer, choreographer and creative collaborator based in New York City. Her work reaches across various genres of art. Ishikawa trained at the Juilliard School (BFA 2019). She has performed in Punchdrunk's Sleep No More NYC as a closing cast until 2025 including the role Lady Macbeth. She joined Life and Trust in 2025 to continue cultivating her performance in immersive theater. As a freelance performer, she has been with Sidra Bell Dance New York for over 4 seasons since 2022. Additionally, She worked with choreographers, Kelly Bartnik, Kyle Abraham, Ivan Perez, Bobbi Jene Smith and Or Schraiber, Michelle Dorrance, Andrew  Celia Rowlson-Hall,Stefanie Batten Bland, Amy J Gardner and among many others.

As a choreographer, Ishikawa is a recent recipient of 2023-2025 Center for Ballet Art NYU Juilliard Fellowship in support of her creative endeavors. Her works have been presented at High Line Nine Gallery in Chelsea, Walnut Hill School for the Arts, New World Symphony in Miami in the past. 

As a leader, Ishikawa is Associate Artistic Director of BODYSONNET (2019-). She has been a part of residencies in US and Germany and have produced dance performances and films.

Ishikawa is also a co-founder (2025) of Fabulosa!, a digital platform that introduces site-sympathetic choreography and direction through dance.From 2022-2024,she has led workshops at NYU and Harvard University as a teaching artist of SBDNY. 

Additionally, Ishikawa is a Ilan Lev practitioner based in NY.

CLASS

Mio’s creative lab researches the movement dialogs between dancers using the element of partnering with bodies and space. The lab highlights the duets and unison work that draw inspiration and ideas from ongoing process that she is currently developing.

Technique

Gabe Katz (he/him) is a dancer, choreographer, educator, and director based in Brooklyn, New York. He has a BFA in dance from Marymount Manhattan College, and is also an alum of The School at Jacob’s Pillow, HSPro at Hubbard Street Dance Chicago, and Springboard Danse Montreal. Gabe has performed repertoire by choreographers such as Ohad Naharin, Hofesh Shechter, Maxine Doyle, Peter Chu, Sonya Tayeh, Jenn Freeman, Nicole von Arx, Larry Keigwin, Akira Uchida, and Rena Butler, and has performed with NYC based dance companies MADBOOTS DANCE, Hivewild, and NVA & Guests. His commercial credits include Gap, Puma, Eartheater, Shygirl, Paul McCartney, and Ryan Heffington. He was featured in Akira Uchida’s film “Still” which made its premiere on NOWNESS in 2022. Gabe was commissioned as Joffrey Ballet School NYC’s first “Emerging Choreographer” in 2018, and has continued to teach and choreograph at dance institutions around the country, creating numerous live works as well as dance on film. Most recently, Katz premiered his film “MATTER” in collaboration with Miami Dance Collective, in 2025, receiving multiple festival selections and earning Best Dance Film at WILDsound Feedback Film and Screenplay Festival 2025. He was also a performer and swing in the final years of Punchdrunk’s Sleep No More in NYC.

CLASS

In class, dancers can expect to deepen their thinking just as much as their sensitivity. We will begin with a guided improvisation with roots in somatics and anatomy built to help focus our thoughts, heighten our sensations, and broaden our physical potentials for movement. We will wrap up this improvisation with a brief conversation and reflection, giving us a chance to verbalize our physical experience. This moment of discussion is not only designed to inform my practice as an educator, but offer a chance for dancers to share what they would otherwise leave unexpressed. Perhaps releasing an undeveloped thought allows fellow dancers to empathize, express their own thoughts, and even shift the energy and sense of community of the space. Next, we will continue into a movement phrase based in various contemporary techniques that not only incorporates ideas from our guided improvisation, but correlates our daily human selves to who we are in a dance space. We will explore the spectrum of our strengths and weaknesses, our range of textures and qualities, and surprise our own expectations. Practicing patience, listening, and belief in our imagination, let’s dance!

Technique: Vogue Femme Floorwork

Dava Huesca‍ (she/her), recently named one of Dance Magazine’s “25 to Watch” in 2025, is an Obie Award–winning freelance performing artist and choreographer. A graduate of Fiorello H. LaGuardia Arts High School and SUNY Purchase Conservatory of Dance, she has performed in a range of productions across concert dance and musical theater, including hit off-broadway revival CATS: The Jellicle Ball (as Rumpleteazer and Assistant Dance Captain), Yin Yue Dance Company, and VIM VIGOR. Known for her vogue femme and grounded contemporary movement. Dava continues to expand her creative practice through performance, choreography, and immersive storytelling.

Class

Dava will be offering a new class “Femme Floorwork”, focusing on her specialities contemporary floorwork and vogue femme. This class will emphasize fluidity, efficiency, and proper alignment. We will prioritize effective body alignment to ensure confidence. The floor will become a friend or lover 😉 .

Technique

Tiare Keeno (she/her) received her BFA at The Juilliard School in 2016 under the direction of Lawrence Rhodes. She has attended Springboard Danse Montreal where she performed works by Aszure Barton, RUBBERBAND Dance Group, and Kidd Pivot. Throughout her professional career, Tiare has been a company member of Nevada Ballet Theatre where she worked in collaboration with Cirque du Soleil. From 2019-2024, she was a company member for BODYTRAFFIC in Los Angeles, and served as the Rehearsal Director for her final season. While there, she performed works by Micaela Taylor, Baye & Asa, Matthew Neenan, Trey McIntyre, Ethan Colangelo, Hofesh Shechter, and Richard Siegal. Tiare currently resides in NYC and is in her second season as an Artistic Associate with Gibney Company. During her time there, she has performed works by William Forsythe, Emilie Leriche, Johan Inger, Peter Chu, and Lucinda Childs, among others. Tiare also teaches and choreographs for studios and young artists across the U.S. and is the newest board member of Share The Movement - an organization aimed to increase diversity in the dance community through educational and financial support for young BIPOC dancers.

Class

This technique class will follow a ballet structure, beginning at the barre and making our way into center and through space. To maintain a sense of inclusivity for all bodies within this form, our focus will be on finding organization to create energetic pathways and activation on a scale that matches each individual mover.

Headshot by Nir Arieli via Gibney Company

Technique

Ohad Mazor she/they (born 1998 in Haifa Israel) is a dancer, actor, performance maker and teacher based in New York City. Formerly a member of Batsheva Dance Company (2016-2023) Ohad has danced the work of cutting edge choreographers such as Ohad Naharin and Sharon Eyal. They are a certified teacher of Naharin's unique Gaga Movement Language, serving as a guest teacher at Gibney Dance Company, SUNY Purchase College and Mark Morris Dance Center.

They have presented work at CCA: Tel Aviv-Yafo, Habait Theatre, Tel Aviv Museum of Art, Intimadance Festival, and CPR Center For Performance Research, Brooklyn.

In 2025, Ohad re-choreographed and joined the cast of Alexander Moloshnikov's 'Seagull: True Story' at La MaMa Experimental Theatre Club New York, and at Marylebone Theatre London. 

Class

The class will be a deep, judgment-free exploration of the body, rooted in improvisation, catered to people from a wide range of dance backgrounds. 

Technique

Madison Olandt (she/her) is a movement artist, choreographer and director from LA. She graduated from UCLA, where she studied dance and psychology. Her movement plays in the gap between commercial and concert, which has welcomed her into an array of different spaces. Madison has worked with notable companies like Pilobolus, Whim W'Him Seattle Contemporary Dance, Diavolo LA, Jacob Jonas The Company, Dallas Black Dance Theater, Mike Tyus and Co, Peridance, Heidi Duckler Dance, USCB, USC, UCLA, and Loyola Marymount. Her choreographic work has been seen on stages like The Joyce, The Ahmanson Music Center, Coachella, television, film and more. She has created live and film work for notable brands like Google, Cartier, Fila, Hennessy, and Anthropologie. She recently choreographed K-Popstar Jackson Wang’s latest international tour. Her work experience in NYC’s immersive show Life and Trust gave her a desire to make live work more visceral, more experiential. 

CLASS

This class will have a strong focus on our physical relationship to gravity and how we can utilize our own weight to build momentum. Madison’s movement language emphasizes seamless ways in and out of the floor, athletic flow, and quick twitch muscular movements. 

She seeks to find the most human approach to movement, where we can remain conversational and maintain ease while still reaching expansive physicality.